Gazals

Hindi Gazal

(If you wish to sing sing it like Kumar Vishwas' "Koi Deewana kehta hai" or Mohd Rafi's "Khilona jaan kar ..." :):))

गली के मोड़ पे बैठा वो भूखा गुनगुनाता है, 
पके जो चाँद की रोटी, लगे मीठी बताता है, 

टहलने आज निकला है, पुरानी याद का मौसम, 
वो गाओं से भरे बादल, शहरो पे बहाता है, 

नही है मौत की परवाह, नही है जन्म पे रुकता, 
फकिरो सा समय जोगी सदा बढ़ता ही जाता है, 

यहाँ पे वक़्त किसको है, यहाँ सब दौड़ना चाहे,
कभी माँ-बाप का रोना, कभी बच्चा सताता है, 

कहीं गोरे कहीं हिंदू कहीं हिन्दी के मेलो में,
जो छूटा एक बच्चा, नाम वो भारत बताता है, 

हवा में धुन्द है, लंबा सफ़र अँधा कटे कैसे,
रूको तो राह की चिंता, चलो तो चैन आता है,

बड़े कितने बनो तुम शाह रहोगे बस खिलौने से, 
वो जितना खेलना चाहे हमें उतना खिलाता है

 1222 1222 1222 1222

 

Gujarati Gazal

જીતવુ નો'તૂ ના હારવું હતું
ફક્ત આ સ્વપ્ન કંડારવુ હતું,

હાથતાળી દઈ, આપ તો ગયા,
જે વધેલુ જીવન કારમું હતું, 

તુંય તો ખ્વાબ આ દેખતી હશે,
સાવ અણધારયુ ધારવુ હતું,

બાન્ધયુ'તૂ જે અમે ડાળખાં મૂકી,
ઍક ઍ માળખુ બાળવું હતું,

સગપણો જો ઘણાં પૂર માં વહે,
બસ હવે ડૂબતું તારવું હતું

212 212 212 12

 

P.S. : Have been learning to write behr/chhand based Gujarati and Hindi Poetry for a while. Understood after quite some time that there is some very basic difference between  the two and needs to be treated differently. Hindi Poetry relies directly on the sound of a word and also gives quite some freedom to the one who is delivering / reading the poetry to pronounce. Whereas Gujarati poetry is slightly inflexible in that sense. The unit it uses unlike Hindi Poetry is not "Phoenetic sound" but it is the letter! Which means that "hrsva" or "Dirgha" of the letter is one that decides the weight. Moreover I saw little liberty in taking words like "til" "bil" "fir" as one letter of double weight, it is seldom considered to be 2, but is always 21. ​

 

 

Movie Review - Bol Bachchan

Planet Bollywood Review Link 
http://planetbollywood.com/displayReview.php?id=f071312023925

Entertainment coupled with a weak story, a weaker screenplay, and complete lack of common sense– Bol Bachchan has all the exact ingredients of cooking a 100 crore dish. The movie and its box office collection reflects the average film making for the average film going audience that Bollywood has currently ended up in. The story is inspired (the new term we use for copied) from legendary Golmaal (yes this time they copied the story in place of name) and fails to create the same vibe. The dialogues partly inspired by senior Bachchan movies and partly by the done-to-death inept English speaking dimwit roles that we have seen fail to make a lasting impact. Its inability to recreate Hrishikesh Mukherjee feel makes you remember and miss Hrishi-da all the more. For most of the English speaking role of Ajay Devgn, you might recall Chupke Chupke’s Dharmendra for the play on language.

The background music and the looks of the protagonist makes you remember a better made Singham, and yet for most part of the film the character looks like a spoof on Singham. It has flying cars and prop assisted Darasinghified (god bless his soul) fight sequences like all other Rohit Shetty films but misses the pulse. Presence of dedicated comedians like Krishna and VIP and Asrani in unnecessary character sketches reminds you of the times when Johnny Lever and Kader Khan used to light up the screen in their roles for comic relief. Infact it would even make you miss Rohit Shetty’s very own Golmaal famed – Arshad Warsi, Sharman Joshi even Tusshar Kapoor and Vrajesh Hirjee. Bol Bachchan has a strange deja-vu like feeling with all aspects of movie making. Don’t get me wrong, the movie isn’t bad. It is a lazy film. It neither wants to say anything new nor does it want to say anything that is already said in a different way.

Bol Bachchan is a story of Abbas Ali (Abhishek Bachchan), who moves to Ranakgadh headed by Prithviraj Raghuvanshi (Ajay Devgn) for certain circumstances and has to pose as Abhishek Bachchan (Oh yes that is his onscreen name as well) in front of Prithvi. Prithvi’s old lover who died in a car crash looked exactly like Abhishek Bachchan’s sister Sania (Asin) and Prithvi’s sister Radhika (Prachi Desai) eventually falls for Abhishek Bachchan (for lack of a better hero in the film). And then there is comedy of errors ala Golmaal the original one. The background score shouts “Khatra” just the way you would have heard “Golmal hai bhai sab Golmal hai”, which I think was much better used even in Hera Pheri. There is a motley of crowd in Zohra bai (Archana Puran Singh), Ravi Shashtri (Krishna), Shashtri (Abhishek), VIP and all helping the lead Palactor (inspired from Palekar).

To give the credit where it is due, the movie has some moments of genuine laughter; especially a couple of scenes with Archana Puran Singh which are memorable. Don’t miss how while posing as Abhishek’s mother she simply effortlessly gets in to her real character of Johrabai singing “ye hai reshmi zulfon ka andhera…” Last time you would have seen her act with so much restrain and subtlety was probably in Jalwa. She is very good. Ajay Devgn does a seemingly impossible task of carrying the role, the lines and the film in turn on his shoulders successfully. BolBachchan is a movie where everyone spoofs himself in jest and pack is led by Ajay Devgn. Abhishek Bachchan overacts to fill his 2 roles with the extra bit of acting. Krishna, VIP and Asrani are well placed and do their non-existent part with conviction. Neeraj Vora hams for most of his part. Asin stands, smiles, dances and looks nice. So does Prachi Desai. Though her looks would surprise you - She looks peach and almost 5 years younger than in Rock On!

Sajjid- Farhad’s dialogues need some mention here as they try to save the lack of novelty in story (Yunus Sajawal). Though the dialogues too were mostly inspired (the first one it reminded me of was Swades’ mela ram saying “apni chaukhat ka dia and giving light to neighbours place”). Cinematography (Dudley) is pretty impressive in a couple of scenes not connected to the story but during songs. Else it’s the usual Rohit Shetty film with spinning camera continuously running over trollies. Steven Bernard’s editing had a lot of scope of shortening the movie, which it did not. Background music is nothing extraordinary. Action of course is at a level that befits Rohit Shetty and Ajay Devgn’s prior works, but is unnecessary most of the times.

On the whole the movie with all its shortcomings and surprising laziness is an entertaining film for efforts of a few who acts well. In cinema, there is a thin line between art and entertainment. Bol Bachchan surely tries hard to be classified as entertainment but just falls short of it.